22 July, 2017. Sketching while traveling is a unique experience in some ways. For one thing, one is encouraged to observe the world as though one has never seen it before because in all likelihood this may be the first time to encounter a place, people, custom, or event. I feel a degree of freedom to simply scribble notions of these encounters in the form of sketches which, often enough, tend to fluctuate between medium. Do I have time to sit and observe? Am I feeling rushed? Or wanting to move along soon to eat? Is the opportunity fleeting? Events of the moment predicate the tool I use to sketch.
Watercolors are like a puzzle. For me, they are spontaneous and less about planning than one might imagine. Instead, they are more likely to be an exercise in figuring out what to place where, and how much detail to labor over or ignore. I place a colored shape and then look at the page to figure out where to work next, repeating this approach over and over again, moving from left to right, top to bottom. It could hardly be described as a science because I work mostly from my gut. I do consider contrasts of cool to warm colors, as well as contrasts of value, but the approach is definitely a different mindset than when I use pens to sketch with.
Working on the thin, cheap paper of a sketchbook with watercolor can be challenging. You have to not work the paper too much or risk rubbing clear through the sheet! A light and restrained touch is better than overworking, and results in nice blooms of color that I especially appreciate seeing appear. During my recent travel to the islands of Hawaii, I found myself using this approach to capture scenes that were, for the most part, without motion or movement.
Pens are also a tool of spontaneity for me, but much more visceral than painting. Even when I add watercolor after the fact, the line tends to be the most important, most informing aspect of the drawing. Sometimes precious, but more often than not nearly schematic, my lines are the truest extension of my hand and the most comfortable means of expressing a visual that I know.
Pens work better for me to capture the gestures or caricatures of people doing whatever it is they are doing. I like incorporating “field notes” into my sketches as a reminder of the experience.
Pencils are the most basic of drawing instruments and the thing nearly every one of us learned before any other tool or drawing instrument. Although my curriculum determines that I teach the broad range of dynamic value one can generate with a pencil, my own pencil sketches tend to be quite loose and expressive. I have to make conscious decisions to do things a certain way so that if I wind up adding color later the sketch isn’t constrained too much by one media or the other. I don’t want the drawing to dictate the entirety of the painting.