3 March, 2019. My mom was having car problems and since I was overdue for a visit anyway, I drove south this weekend to see her and fix her old Ford Taurus. The problem was an easy one: the battery needed to be replaced, so after pulling it and purchasing a replacement I wandered around her neighborhood while I waited for the new one to get fully charged. She lives in a suburb of Kansas City, a small town that has exploded on the outskirts but which remains a small town at the core. The downtown is charming, as are the surrounding neighborhoods of homes built in the 20’s and 30’s.
I hadn’t planned to have the opportunity to sketch, assuming I’d be elbow deep under the hood of her car. But having come from our monthly sketch crawl my backpack was filled with sketching tools and a couple of sketchbooks. To keep things simple I chose a pencil and began to make quick thumbnails of the buildings that caught my eye. The happy thing about small pencil studies is that things don’t get overworked if I focus on the contrast of lights and darks. My tastes sometimes run toward the nostalgic, and those roomy houses with large front porches struck me as the sort of comfy place I’d love to find myself on a summer evening.
With no plan in mind I simply sketched. It’s easier for me to maintain believable proportions if I focus on the overall shapes and how they relate to the negative spaces. In fact, I love those unoccupied spaces! By studying the empty areas my sketches aren’t bogged down with unnecessary detail: simplicity is much more pleasing to my eye.
The day is overcast and I make note of the lack of vibrant color. I want to remember the sense of drabness later when I dab some of these studies with a variety of grays and neutral hues.