2 March, 2019. I have a sort of Jekyll and Hyde relationship with color. Some days I feel I can do no wrong. It seems like I have a real grasp of the intricacies of color relationships. I playfully toss a blob of paint into a wash and voilà! Magic!
And at other times I am at complete loss.
Color intrigues me, but perhaps not as much as the relationship of line, shape, and space does. I love to draw, and I love to design. It may be that I’m wary of devoting more thought to color, fearing such attention comes at the expense of those elements that pull me into a composition.
I might also be lazy.
Be that as it may, I’ll wager nearly everyone who enjoys drawing and painting feels like there is something elusive, something just outside their grasp. And for me it’s color. One way I offset my perceived deficiencies is to seek out and study artists and art I admire.
Yesterday’s mail brought me an advance copy of Shari Blaukopf’s new book, Working with Colorpublished by Quarto Creates. Now full disclosure: some of my own words and sketches are used in Blaukopf’s book to illustrate the color concepts she shares with readers. But much more importantly, this book is filled with Blaukopf’s own wonderful watercolors, along with a liberal sprinkling of contributions from Marc Taro Holmes, Richard Johnson, Renato Palumuti, Marion Rivolier, Inma Serrano, Pat Southern-Pearce, and a host of other incredible Urban Sketchers, all of whose work I greatly admire.
This book is the latest in a series of “Urban Sketching Handbooks,” and what I most appreciate about these titles is the way they pointedly avoid going into technical aspects. Let’s face it: There are plenty of “how to” books on the market, and a thoughtful Google search will bring up dozens, if not hundreds of excellent pages and videos demonstrating any technique in any media you can imagine. No, what the Urban Sketching Handbooks do really well is teach and inspire by example. I love to look at the illustrations and catch myself thinking “Hmmm… I never thought of doing it thatway before…”